Wednesday, 17 November 2021
Monday, 15 November 2021
Pakistan: Land and life
This is the title of first solo exhibition of Sharjeel
Anzar, held in PNCA (Pakistan National Council of Art) Islamabad.
Driving for 30 km in inclement weather with torrential rain
pouring down, it was an evening well spent.
A pleasant surprise
to look at the pictures representing almost all genres of photography and a
pleasure to know a multi-talented person, a bureaucrat, artist, poet and a
music aficionado.
The pictures gave a panoramic view of our rich culture (or
what it used to be), varied in themes and composition, with a common
denominator of a deep love for the land and its people. In vivid colors, they
portrayed a land of joy, peace and love.
A photograph, may appear a random click to a causal
onlooker, but it carries an unmistakable signature of the artist, revealing
inner depths of his/her subconscious. A picture is the gist of all the life
experiences of an artist, of books read, of music enjoyed, of movies watched
and even of all the dreams, ambitions and frustrations of life. This collection
revealed depth of literary and aesthetic sense of a mature artist.
However, passing through the riots of colors and lights
depicted in pictures, one could see a deep down nostalgia and a touch of
melancholy. A yearning to run away from the rush of modern cosmopolitan life
and take refuge in those times/ places where pace of life was slow and simple.
To capture the rapidly changing values, customs and life
style of this land seems to be a desperate attempt to catch hold of fleeting
sands of time. Exhibition looks like a dirge for lost innocence, of what this
land used to be once; a hankering for
reversal of all the degradation of materialism.
In landscapes, a lonely figure lost in grandeur of nature or
in the gathering dusk, melting in fading colors and light reflects the deep
down melancholy characteristic of a poet and a romantic by heart
A poem of Sharjeel Anzar may have been another good title
for this exhibition
I am in mourning
For the poems I could not write
For the dreams I could not carve
For the women I could not love
I am in mourning
Is he really in mourning for this land and its people?
#pakistan #punjab #art, #photogrpahy
Monday, 8 November 2021
Termite life
Life in a cosmopolitan city has an attraction that one can remain
faceless amidst a vast ocean of people, a luxury denied to those from villages
and small towns.
Silently sitting in a corner, in a pensive mood, watching
the teeming life whirling in endless circles has its own charm. Watching the
weary faces, tense looks and endless toil to bear the cross of their existence,
while remaining unnoticed; bring us much closer to an understanding the life.
Their lives tend to convey a message of triumph of humanity
against nature but at the same time, it's humbling to realize that a time will
come when all this suffocating rush of humanity milling around us would be no
more.
This has been a fait accompli for millions of generations
before us and would be so for millions more to come in future.
For how long? No one
knows.
The life seems like a conveyor belt, slowly inching us
toward final destination, crushing and grinding not only individuals but
civilizations mercilessly.
This contemplation is humbling realization of fickleness of
life and puts an intriguing question. Is there is any method in this madness?
Can we make this apparently senseless life more meaningful
and if so how and why?
People have been preferring wilderness to contemplate on
philosophical questions of existence, but the same degree of nirvana can be
achieved by introspection while just sitting in the center of suffocating
markets.
For an 'urban monk’, apparently doing nothing except
savoring buzz of humanity matters much more than so many hours spent in
emotional deprivation in what Wallace Stegner called, "the termite life we
have created."
#pakistan #art #photography #literature #life
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